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NOTA • El significado de cada tipo de gama se describe debajo. 1 2 3 4 5 6 446GM CHARANG84016A447GM VOICE LEAD85016A448GM FIFTH LEAD86016A449GM BASS+LEAD87016A450GM FANTASY88016A451GM WARM PAD89016A452GM POLYSYNTH90016A453GM SPACE CHOIR91016A454GM BOWED GLASS92016A455GM METAL PAD93016A456GM HALO PAD94016A457GM SWEEP PAD95016A458GM RAIN DROP96016A459GM SOUND TRACK97016A460GM CRYSTAL98016A461GM ATMOSPHERE99016A462GM BRIGHTNESS100016A463GM GOBLINS101016A464GM ECHOES102016A465GM SF103016A466GM SITAR104016A467GM BANJO105032A468GM SHAMISEN106032A469GM KOTO107032A470GM THUMB PIANO108032A471GM BAGPIPE109016A472GM FIDDLE110032A473GM SHANAI111032A474GM TINKLE BELL112032A475GM AGOGO113032A476GM STEEL DRUMS114016A477GM WOOD BLOCK115032D478GM TAIKO116032D479GM MELODIC TOM117032D480GM SYNTH-DRUM118032D481GM REVERSE CYMBAL119032D482GM GT FRET NOISE120032A483GM BREATH NOISE121032A484GM SEASHORE122016D485GM BIRD123016D486GM TELEPHONE124032D487GM HELICOPTER125032D488GM APPLAUSE126016D489GM GUNSHOT127032DDRUM SET490STANDARD SET 10120— D491STANDARD SET 21120— D492ROOM SET8120— D493POWER SET16120— D494ELECTRONIC SET24120— D495SYNTH SET 125120— D496SYNTH SET 230120— D497JAZZ SET32120— D498BRUSH SET40120— D499 ORCHESTRA SET 48 120 — D Range Type/Tipo de gama C- 1 C9C8C7 G7C6C5C4C3C2C1C0 G9 A= 440Hz D(Sound Effect)(Efecto de sonido) No scale for tones.Sin escala para los sonidos. B “ 211 PICCOLO 1” / “ 222 PICCOLO 2” “ 211 PICCOLO 1” / “ 222 PICCOLO 2” CInstrumentos dealtura tonal bajaLow pitchinstrumentsA(Standard type)(Tipo estandar) ........Keyboard range a ........Gama del teclado ........Available range (using transpose or message receive) b ........Gama disponible (usando la transposicion o recepcion de mensajes) ........Notes in these ranges are produced by playing the notes in range b that are in c the nearest octave as the result of transpose and message receive operations. ........Las notas en estas gamas se producen ejecutando las notas en la gama b quese encuentre en la octava mas cercana como resultado de las operaciones detransposicion y recepcion de mensajes. Appendix/Apendice 706A-E-117A Appendix/Apendice Drum Assignment List/Lista de asignacion de bateria Key/ Note number DRUMS SET LIST STANDARD SET 1 STANDARD SET 2 ROOM SET POWER SET ELEC. SET SYNTH SET 1 SYNTH SET 2 JAZZ SET BRUSH SET ORCHESTRA SET C-1 D-1 E-1 0 2 4 C#-1 E -1 1 3 — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — F-1 G-1 A-1 B-1 5 7 9 11 F#-1 A -1 B -1 6 8 10 — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — C0 D0 E0 12 14 16 C#0 E 0 13 15 — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — F0 G0 A0 B0 17 19 21 23 F#0 A 0 B 0 18 20 22 — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — C1 D1 E1 24 26 28 C#1 E 1 25 27 — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — HIGH QCLOSED HI-HAT SLAPPEDAL HI-HAT F1 G1 A1 B1 29 31 33 35 F#1 A 1 B 1 30 32 34 SCRATCH PUSH SCRATCH PULL . . . . . . . . . . . . . . . . OPEN HI-HAT RIDE CYMBAL 1 STICKS. SQUARE CLICK. METRONOME CLICK. METRONOME BELL. STANDARD1 KICK 2 STANDARD2 KICK 2 ROOM KICK 2 POWER KICK 2 ELEC. KICK 2 SYNTH 1 KICK 2 SYNTH 2 KICK 2 JAZZ KICK 2 BRUSH KICK 2 JAZZ KICK 1 C2 D2 E2 36 38 40 C#2 E 2 37 39 STANDARD1 KICK 1 STANDARD2 KICK 1 ROOM KICK 1 POWER KICK 1 ELEC. KICK 1 SYNTH 1 KICK 1 SYNTH 2 KICK 1 JAZZ KICK 1 BRUSH KICK 1 CONCERT BD 1 SIDE STICKSYNTH 1 RIM SHOT. STANDARD1 SNARE 1 HAND CLAP 1 STANDARD2 SNARE 1 HAND CLAP 2 ROOM SNARE 1 . POWER SNARE 1 . ELEC. SNARE 1 . SYNTH 1 SNARE 1 HAND CLAP 2 SYNTH 2 SNARE 1 . JAZZ SNARE 1 . BRUSH SNARE 1 BRUSH SLAP CONCERT SD CASTANETS STANDARD1 SNARE 2 STANDARD2 SNARE 2 ROOM SNARE 2 POWER SNARE 2 ELEC. SNARE 2 SYNTH 1 SNARE 2 SYNTH 2 SNARE 2 JAZZ SNARE 2 BRUSH SNARE 2 CONCERT SD F2 G2 A2 B2 41 43 45 47 F#2 A 2 B 2 42 44 46 LOW TOM 2 ROOM LOW TOM 2 POWER LOW TOM 2 ELEC. LOW TOM 2 SYNTH 1 LOW TOM 2 TIMPANI F CLOSED HI-HAT SYNTH 1 CLOSED HH 1TIMPANI FLOW TOM 1 ROOM LOW TOM 1 POWER LOW TOM 1 ELEC. LOW TOM 1 SYNTH 1 LOW TOM 1 TIMPANI G PEDAL HI-HAT SYNTH 1 CLOSED HH 2TIMPANI GMID TOM 2 ROOM MID TOM 2 POWER MID TOM 2 ELEC. MID TOM 2 SYNTH 1 MID TOM 2 TIMPANI A OPEN HI-HAT SYNTH 1 OPEN HHTIMPANI AMID TOM 1 ROOM MID TOM 1 POWER MID TOM 1 ELEC. MID TOM 1 SYNTH 1 MID TOM 1 TIMPANI B C3 D3 E3 48 50 52 C#3 E 3 49 51 HIGH TOM 2 CRASH CYMBAL 1 . . ROOM HIGH TOM 2 . POWER HIGH TOM 2 . ELEC. HIGH TOM 2 . SYNTH 1 HIGH TOM 2 SYNTH 1 CRASH CYMBAL . . . . . . TIMPANI c TIMPANI c HIGH TOM 1 ROOM HIGH TOM 1 POWER HIGH TOM 1 ELEC. HIGH TOM 1 SYNTH 1 HIGH TOM 1 TIMPANI d RIDE CYMBAL 1 SYNTH 1 RIDE CYMBALTIMPANI dCHINESE CYMBALREVERSE CYMBALTIMPANI e F3 G3 A3 53 55 57 F#3 A 3 54 56 58 RIDE BELLTIMPANI f TAMBOURINE SYNTH 1 TOMBOURINE . SPLASH CYMBAL. COWBELLSYNTH 1 COWBELL SYNTH 1 COW...