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Istruzioni per l'uso Boston Acoustics, Modello HSi Series GT-475

Produttore : Boston Acoustics
File Size : 1.21 mb
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Lingua di insegnamento: en
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If the vents are obstructed, this could lead to premature thermal shutdown or amplifier failure. 6 Installation - Wiring Amplifier Fuses Although the amplifier has an internal fuse, additional fuse protection should be installed as close as possible to the battery on the positive (+) power wire going to the amplifier. An inline fuse should be installed at no more than 18" (46cm) on the positive (+) power wire. The rating of the inline fuse should equal the value of the internal fuse of the amplifier if only the single amplifier is connected to this wire. If other devices are connected to this wire, the fuse value should be of sufficient capacity to handle the demand. Wire Gauge The amplifier accepts up to 4-gauge stripped wire at the DC power and ground input terminals, and 4-gauge is recommended. Wire runs should be kept to the minimum practical length. Power 12v and Ground (GND) Connection Strip approximately 5.8" (16mm) of insulation. The positive (+) power wire is installed into the amplifier terminal marked “12v”. The negative (–) wire is installed into the terminal marked “GND”. The ground wire should be as short as possible and connected directly to the chassis of the vehicle. Make sure that the chassis connection point is free of rust, grease, dirt, paint, and other materials that may insulate the ground wire from making proper connection. Tighten the 12v and GND terminals with the supplied 3mm hex wrench to secure the wire into the terminals. If the power wire must be routed through a drilled or existing hole, use a nylon panel grommet to prevent the insulation from fraying. Failure to do so could lead to an electrical short if the wire insulation is worn through and the power wire is shorted to ground. Remote Input Connection Use the supplied FEMALE quick-connect terminal to connect the REMOTE trigger lead from the head unit to the amplifier. Crimp connector to wire from head unit that controls remote turn-on (refer to head unit owner’s manual). Once the quick-connect terminal is crimped into place, carefully push connector onto recessed MALE REMOTE terminal adjacent to the RCA input pair (refer to the diagram on page 4). Speaker Output Connection Prepare each wire by stripping approximately 5.8" (16mm) of insulation. The positive (+) speaker wires are installed into the amplifier terminals marked “SPEAKER OUTPUT” / “+” (refer to the diagram on page 4). The negative (–) speaker wires are installed into the amplifier terminals marked “SPEAKER OUTPUT” / “-”. Tighten the “SPEAKER OUTPUT”, “+”, and “-” terminals with the supplied 2mm hex wrench to secure the wires into the terminals. If the speaker wires must be routed through a drilled or existing hole, use a nylon panel grommet to prevent fraying the wire insulation. Failure to do so could lead to an electrical short if the wire insulation is worn through and the speaker wires are shorted to ground. Mono Subwoofer Operation When the amplifier is configured for mono operation, use the speaker output terminals marked for mono use (refer to the diagram on page 4). WARNING! Subwoofer impedance must not fall below 2 ohms when in MONO mode. Installation - Wiring 7 Tuning - Front and Rear Speakers Tuning The Amplifier - Front and Rear Speakers 1) Music The material chosen for system tuning must be both clear in recording quality and dynamic in amplitude. Many audiophile “test” discs have musical tracks with both of these characteristics and should be used. 2) Front Signal Routing Switch If using two sets of RCAs (independent front and rear RCAs), set the switch to DEDICATED FRONT AND REAR INPUTS . If you are using one set of RCAs for both front and rear channels, set the switch to SEND FRONT RCA SIGNAL TO REAR. (refer to the diagram on page 5). 2) Input Sensitivity Control Turn both front and rear controls all the way counterclockwise (minimum position). In this position, the amplifier will be less sensitive to the input signal from the head unit (refer to the diagram on page 5). 3) Highpass & Lowpass Crossover Controls Crossovers should be turned “OFF” during this phase of setup . Move the HIGHPASS and X-OVER switches to the “OFF” position (refer to the diagram on page 5), with these settings, full-range signal is sent to the speaker outputs. Start with the front channels. If over-excursion is detected from speakers, move HIGHPASS switch to “ON” and slowly rotate clockwise until over-excursion is eliminated. Repeat for the rear channels. 4) Head Unit The head unit should have all controls such as bass, treble, balance, and fader set to the flat or centered position. The volume control should be at the minimum setting. If the head unit has any equalization or bass management features such as boost, they should be defeated at this time. Turn head unit on, and verify that the RED status LED (logo) is illuminated on the amplifier. 5) Volume With the chosen musical track playing, turn the head unit volume control up until the maximum level of undistorted signa...

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