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Telecamere - SB-800 (3.19 mb)
Telecamere - SB-800 (2.52 mb)
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Page numbers in parentheses refer you to explanations in the main instruction manual. En A wealth of advanced flash-shooting techniques await you with the SB-800/600. Take life-like portraits. Soften the shadows. 45" 7 Record details of small objects. 89! Note: In wireless multiple flash shooting, the SB-600 can be used only as a remote flash unit. Create more natural-looking pictures by illuminating both the subject and background. # % $ Emulate the results of professional studio photographers. ) ( + ~ Use colored gel filters to add specific colors to the scene. • Numbers on the pictures refer to page numbers of this booklet. Bounce flash Bounce flash Shooting data (Bounce flash) Camera: D2H Lens focal length: 60mm Speedlight: SB-800 set to D with flash head tilted up Aperture: f/8 Shooting distance: Approx. 4m (13.1 ft.) Flash set-up 9050 Create more flattering portraits by tilting or rotating the flash head to bounce the light off the ceiling or walls. When photographing a person standing in front of a wall, tilt or rotate the flash head up to bounce the light off the ceiling. This softens the light falling on the subject, while throwing the dark shadow behind and below the subject. This is an excellent technique to use indoors to render the subtle tones of the person’s face, where direct flash often causes harsh, unattractive lighting (p. 98 for the SB-800, p. 70 for the SB-600). Shooting data (Normal flash) Camera: D2H Focal length: 60mm Speedlight: SB-800 set to D with flash head in normal position Aperture: f/9 Shooting distance: Approx. 4m (13.1 ft.) Normal flash Tilting the flash head and choosing the reflecting surface Tilt the flash head up at least 50° for the most effective bounce flash. Also, make sure that the light from the flash head does not illuminate the subject directly. Optimum results are obtained when the flash head is positioned 1–2m (3.3–6.6 ft.) from the reflecting surface. When shooting in color, select white or highly reflective surfaces to bounce the light off of. Otherwise, your pictures will come out with an unnatural color cast similar to that of the reflecting surface. Nikon Diffusion Dome Without Nikon Diffusion Dome Shooting data (Without Nikon Diffusion Dome) Camera: D2H Focal length: 105mm Speedlight: SB-800 set to D Aperture: f/6.3 Shooting distance: Approx. 2.5m (8.2 ft.) Flash set-up With Nikon Diffusion Dome (SB-800 only) The Nikon Diffusion Dome diffuses the light from the flash to soften shadows and prevent the subject’s face from coming out too bright. By attaching the provided Nikon Diffusion Dome over the flash head, you can diffuse the light even more when doing bounce flash, creating extremely 5 soft light with virtually no shadows, while insuring sufficient illumination of the background (p. 101). Shooting data (With Nikon Diffusion Dome) Nikon Diffusion Dome cannot be used with the SB-600. Camera: D2H Focal length: 105mm Speedlight: SB-800 set to D with Nikon Diffusion Dome attached Aperture: f/6.3 Shooting distance: Approx. 2.5m (8.2 ft.) Notes on using the Nikon Diffusion Dome Good results are obtained when the flash head is tilted up 60°. Essentially the same lighting effect is produced when the camera is positioned either horizontally or vertically. Use of the built-in wide-flash adapter in conjunction with the Nikon Diffusion Dome produces the maximum amount of diffused light. i-TTL Automatic Balanced Fill-Flash i-TTL Automatic Balanced Fill-Flash In this mode, the camera automatically controls the flash output to keep both the subject and background properly exposed. This mode is especially effective when shooting scenes that include a mirror, white wall, or other highly reflective surfaces (p. 37 for the SB-800, p. 33 for the SB-600). 6 Auto FP High-Speed Sync Standard i-TTL flash Shooting data (i-TTL Automatic Balanced Fill-Flash) Camera: D2H Focal length: 70mm Speedlight: SB-800 set to Do Aperture: f/14 Auto FP high-speed sync Automatic high-speed flash synchronization at shutter speeds exceeding the camera’s flash sync speed is possible. When shooting with flash outdoors, faster shutter speeds allow you to use a wider aperture to blur the background and/or freeze fast-moving subjects (p. 60 for the SB-800, p. 48 for the SB-600). Flash shooting at normal sync speed Shooting data (Auto FP high-speed sync) Camera: D2H Focal length: 125mm Speedlight: SB-800 set to BK Aperture: f/2.8 Shutter speed: 1/3200 sec. Flash Value Lock (FV Lock) Without using FV Lock for an off-center subject Shooting data (Without FV Lock) Camera: D2H Focal length: 60mm Speedlight: SB-800 set to D Aperture: f/8 FV Lock is unnecessary when the main subject is centered. Shooting data (Without FV Lock) Camera: D2H Focal length: 60mm Speedlight: SB-800 set to D Aperture: f/8 Using FV Lock for an off-center subject Using FV Lock, you can obtain the correct exposure, when the subject is off-center and positioned against a dark or light background. Because the flash exposure remains ...
Questo manuale è adatto anche per i modelli :Telecamere - SB-600 (2.49 mb)