valutazioni - 2, GPA: 4.5
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Facilità d'uso
The audio levels for this input are controlled by the microphone controls on the top panel. 3. LINE | PHONO INPUTS (RCA) – Connect your audio sources to these inputs. These inputs can accept both line and phono-level signals. 4. LINE INPUTS (RCA) – Connect line-level devices, such as CD players, samplers or audio interfaces, to these inputs. 5. LINE | PHONO SWITCH – Flip this switch to the appropriate position, depending on the device connected to the LINE | PHONO INPUTS. If you are using phono-level turntables, set this switch to “PHONO” to provide the additional amplification needed for phono-level signals. If using a line-level device, such as a CD player or sampler, set this switch to “LINE.” 6. GROUNDING TERMINAL – If using phono-level turntables with a grounding wire, be sure to connect the grounding wire to these terminals. If you experience a low “hum” or “buzz”, this could mean that your turntables are not grounded. Note: Some turntables have the grounding wire built into the RCA connection and, therefore, nothing needs to be connected to the grounding terminal. 7. RECORD OUTPUT (RCA) – Use standard RCA cables to connect this output to a recording device, such as a CD recorder or tape deck. The level of this output is based upon pre-master levels. 8. MASTER OUTPUT (RCA) – Use standard RCA cables to connect this output to a speaker or amplifier system. The level of this output is controlled by the MASTER knob on the top panel. 9. MASTER OUTPUT (BALANCED) – Use balanced .” (TRS) cables to connect this Master output to a speaker or amplifier system. The level of this output is controlled by the Master knob on the top panel. Tip: When possible, we recommend using these balanced outputs for your Master audio output. Balanced outputs are better suited for long cable runs and are less susceptible to noise and interference. 10. AC IN – Use the included power adapter to connect the mixer to a power outlet. While the power is switched off, plug the power supply into the mixer first, then plug the power supply into a power outlet. Note: The mixer is designed to work with the included AC power supply only. Using an incompatible power supply could result in damage to the unit. 11. POWER SWITCH – Turns the mixer on and off. Turn on the mixer after all input devices have been connected and before you turn on amplifiers. Turn off amplifiers before you turn off the mixer. 6 TOP PANEL FEATURES 1 2 3 4 6 7 8 17 18 10 10 21 21 21 16 14 20 20 21 21 21 12 8 7 6 9 9 13 11 15 23 19 24 22 25 26 27 5 5 1. MIC SWITCH – Turns the MIC INPUT and MIC-AUX LINE INPUT on or off. 2. MIC GAIN – Adjusts the audio level of the MIC INPUT and MIC-AUX LINE INPUT. 3. MIC BASS – Adjusts the low (bass) frequencies of the microphone channel. 4. MIC TREBLE – Adjusts the high (treble) frequencies of the microphone channel. Tip: If you experience feedback when using a microphone at loud levels, try turning down the high frequencies. 5. CHANNEL GAIN – Adjusts the channel’s pre-fader and pre-EQ gain level. 6. CHANNEL BASS – Adjusts the low (bass) frequencies of the corresponding channel. 7. CHANNEL MID – Adjusts the mid-range frequencies of the corresponding channel. 8. CHANNEL TREBLE – Adjusts the high (treble) frequencies of the corresponding channel. 9. INPUT SELECTOR – Selects the input source to be routed to the corresponding channel. Input jacks are located on the rear panel. 10. CHANNEL FADER – Adjusts the audio level on the corresponding channel 11. CUE GAIN – Adjusts the volume level of the headphone output. 12. HEADPHONES – Connect your .” headphones to this output for cueing and mix monitoring. Headphone output controls are located on the top panel. 13. CUE SLIDER – When the CUE MODE SELECTOR is set to “CH1 – CH2,” this blends the audio from Channel 1 and 2 in the headphones. Sliding this to the left plays Channel 1. Sliding to the right plays Channel 2. 14. CUE METER – Monitors the audio level of the Cue Channel, depending on the position of the CUE MODE SELECTOR. 15. CUE MODE SELECTOR – Selects the audio that is sent to the headphones. Selecting MASTER routes the Program mix to the headphones. Selecting FX routes the effects block output to the headphones. (This allows you to cue the effects before applying it.) Selecting CH1-2 allows cueing of Channels 1 and 2 using the CUE SLIDER. 16. CROSSFADER – Blends audio between the channels assigned to the left and right side of the crossfader. Note: The crossfader is user-replaceable if it should ever wear out. Simply remove the facepanel, then remove the screws holding it in position. Replace the fader with a quality authorized replacement from your local Numark retailer only. 17. CROSSFADER (CF) REVERSE – Reverses the assignment of Channels 1 and 2 on the crossfader. 18. CROSSFADER (CF) SLOPE – Adjusts the slope of the crossfader curve. Turn knob to the left for a smooth fade (mixing) or to the right for a sharp cut (scratching). 19. MASTER – Adjusts the output volume of the Program mix. 2...