valutazioni - 3, GPA: 4.3
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Facilità d'uso
Although the QS’s keyboard does not generate poly pressure, its sound generators can respond to MIDI poly pressure messages. • MOD WHL (Modulation Wheel) is traditionally assigned to LFO level so that rotating the wheel away from you introduces vibrato. However it is also well-suited for controlling timbre, vibrato speed, and other parameters. • PITCH WH (Pitch Wheel) usually controls the oscillator pitch but can control other parameters. • MIDI VOL corresponds to MIDI controller #7. Example: Assign the filter cutoff as the destination, and you can have the signal become less bright as it becomes lower in volume. • SUST PED (Sustain Pedal) The sustain pedal plugged into the sustain pedal jack provides this modulation signal. • PEDAL 1: A controller pedal plugged into the [PEDAL 1] jack provides this modulation source. The default setting assigns Pedal 1 to MIDI Controller 7 to act as a volume pedal. But it can also be assigned to any other incoming MIDI controller number in Global page 12. Modulations 8 • PEDAL 2: Although there is no Pedal 2 jack on the QS, it is available as a modulation source via MIDI controller messages. The Pedal 2 modulation source defaults to MIDI Controller #4 (Standard Foot Controller). It is possible to assign it to a different controller number if you wish on Global Mode, page 13. • PLFO/FLFO/ALFO: You can select the Pitch, Filter and Amplitude LFOs as modulation sources, even if they aren't being used to affect the Sound in their usual ways. • PENV/FENV/AENV: The Pitch, Filter and Amplitude envelopes can also be selected as modulation sources. Try routing them to LFO speeds or the Effect Send Level of a Sound. • RANDOM: This provides a different modulation value every time you hit a key. Example: With vintage analog synth patches, use pitch as the destination and apply a very slight amount of random modulation. Each note will have a slightly different pitch, which simulates the natural tuning instability of analog circuits. • TRIGATE: This is the Trigger Rate Follower, which monitors how fast notes are being played on the keyboard. For example, if routed to the Effect send of a Program, you could automatically have more effect when playing quickly, and less effect when playing slowly. • CNTRL (A, B, C, D): These are the four [CONTROLLER] sliders on the front panel. Since these sliders also have MIDI controller numbers assigned to them, they can be remotely controlled via MIDI. The MIDI controller numbers are assigned in Global page 8-11. • TRACKGEN: This is the output of a signal processed by the Tracking Generator module. • STEPTRAK: This is the output of a signal processed by the Tracking Generator module in stepped mode. Choosing the Mod Destination Buttons: [EDIT] [0-5 MOD] Page: 2 Parameter: Dst (see below) Here, you can select from the following modulation destinations. Youcan find out more about these parameters and how they affect the soundin their respective sections: • Pitch • Filter LFO Speed • Amp Envelope Delay • Filter Frequency • Filter LFO Amp • Amp Envelope Attack • Amplitude • Filter LFO Delay • Amp Envelope Decay • Effect Send • Filter Envelope Delay • Amp Envelope Sus. Decay • Pitch LFO Speed • Filter Envelope Attack • Amp Envelope Release • Pitch LFO Amp • Filter Envelope Decay • Amp Envelope Amp • Pitch LFO Delay • Filter Envelope Sus. Decay • Portamento Rate • Pitch Envelope Delay • Filter Envelope Release • Pitch Envelope Attack • Filter Envelope Amp • Pitch Envelope Decay • Amp LFO Speed • Pitch Envelope Sus. Decay • Amp LFO Amp • Pitch Envelope Release • Amp LFO Delay • Pitch Envelope Amp TIP: If you want to modulate the pitch or filter Envelope Level positively, set the Envelope Level to zero so you have room to modulate. For the amplitude envelope, set the level to 01. Similarly, if you want to modulate any Envelope Level negatively, set the Envelope Level to 99. NOTE: When negatively modulating the amplitude envelope, make sure the negative modulation amount is not greater than the Aenv Level setting. For example: If your Aenv Level is at 59 and you have Controller A routed to AENV AMP with a mod amount of -60, any note held down when Controller A reaches its maximum throw will be considered “off” and will be unable to be pulled back up by Controller A. You'll have to re-trigger the note. NOTE: When Portamento Rate is chosen as a destination, you will hear no change in that parameter unless it is at least set to 01. 8 8 Modulations Setting the Mod Level Buttons: [EDIT] [0-5 MOD] Page: 3 Parameter: Level (-99 to +99) This sets the modulation level. At zero, the modulation source has no effect on the destination (it is disabled). Higher positive values increase the amount of modulation in the positive direction. Negative values increase the amount of modulation in the negative direction. In other words, if you choose Controller A as your source and Pitch as your destination, a value here of +99 will cause the pitch to rise as sliderA moves up. A value...
Questo manuale è adatto anche per i modelli :Strumenti Musicali - QS6.2 (1.54 mb)