valutazioni - 5, GPA: 4
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Facilità d'uso
11 a. Local Editing..................... 11 b. Ten Key Pad .................... 13 3. Useful Functions for Editing---- 14 a. Compare........................... 14 b. Undo.............................. 14 c. Copy............................... 14 d. Partial Mute...................... 17 e. Partial Balance................... 17 4. Sound Creation..................... 19 5. Naming..............................20 [3]Tone Parameters......................22 1. Common Parameters...............22 a. Structure..........................22 b. P - ENV ...........................23 c. Pitch Modulation.................25 d. LFO ...............................26 e. Equalizer..........................27 f. Chorus.............................29 2. Partial Parameters.................30 a. WG Pitch.........................30 b. WC> Modulation..................32 c. WG Waveform....................33 d. WG Pulse Width.................35 e. TVF ...............................36 f. TVF ENV.........................39 g. TVF Modulation.................42 h. TVA...............................43 i. TVA ENV.........................44 j. TVA Modulation .................47 [4]Writin g.................................48 HO MIDI....................................51 1. Connection...........................51 2. Setting MIDI Functions...........51 a. MIDI Functions commonly set for all Patches................... 52 b. MIDI Functions individually set for each Patch................... 56 3. Key Mode Alteration.............. 57 4. Data Transfer with MIDI......... 61 [6]Data Transfer with Memory Card ■ 65 1. Patch Transfer..................... 65 a. Patch Transfer to the Memory Card.....................65 b. Patch Transfer to the Internal Memory...........................66 2. Copying a Reverb Type.......... 68 a. Copying from a Memory Card to the D— 50...................68 b. Copying from the D —50 to a Memory Card..................69 ¡TjAppendix Tables......................70 1. Patch Factor Table................70 2. Tone Parameter Table............71 a. Common Parameters.............71 b. Partial Parameters...............72 3. MIDI Function Table..............73 4. Error Message Table..............74 5. Sample Note........................75 2 OUTLINE OF TONE PARAMETERS 1] OUTLINE OF TONE PARAMETERS 1. THE BASIC CONCEPT OF A TONE A Tone consists of two Partials (Partials 1 and 2) and a Common block. C> Each Partial (Partial 1 and Partial 2) can have one of two sound generators (a Synthesizer sound source or a PCM sound source). So you can think of the D-50 having powerful synthesizers built in. Each of these hypothetical synthesizers could behave like a conventional analog synthesizer, or a PCM sampled synthesizer. Any combination of two synthesizers can achieve some remarkable cross — modulation effects, so characteristic of today’s purely digital sounds. Some Common parameters apply to both Partials (Partial 1 and 2), "Structure” is one of the Common parameters. It decides which of the two sound generators is used for each Partial. Other Common parameters are an ENV for pitch, three LFO modules, equalizer, chorus, etc. Tone i> 3 OUTLINE OF TONE PARAMETERS [STRUCTURE] Structure, which is one of the Common parameters, determines which two of the hypothetical synthesizers (a synthesizer sound generator or a PCM sound generator) are to be used as Partial 1 and Partial 2 A "Synthesizer sound generator” works like a conventional analog type synthesizer with an oscillator, a filter, an amplifier and two ENV’s. A PCM sound generator provides 100 different PCM sampled sounds. These two Partial sounds (Partial 1 and Partial 2) can simply be mixed as shown below. By mixing two Partíais, fatter sounds can be obtained. This is effective for making strings or organ type sounds. Or Partial 1 can be mixed with the ring —modulated sound of Partíais 1 and 2. <=> 4 OUTLINE OF TONE PARAMETERS The Ring Modulator multiplies two sounds, creating an unusual and metallic sound that contains complicated harmonics. For instance, two waveforms (® and ©) are multipled and waveform (3) is created. This is effective for making metallic sounds. Depending on which generators are selected in the Partial Block, greatly different Tone Parameters will be used. Some Tone Parameters used for the Synthesizer sound generators are irrelevant to the PCM generator (see the diagram below). In a Structure with Ring modulation, some parameters of Partial 2 are automatically set to those of Partial 1. See page 22 “Tone Parameters” for a detailed explanation. 5 OUTLINE OF TONE PARAMETERS Synthesizer Sound Generator PCM Sound Generator 6 OUTLINE OF TONE PARAMETERS a. WG (Wave Generator) In the WG (Wave Generator), the pitch and waveform are controlled. (1) Pitch The basic pitch of a Partial (sound generator) can be set here. The pitch is a Common parameter, and is therefore controlled by © P-ENV and © ...