valutazioni - 2, GPA: 4.5
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Facilità d'uso
The main control panel is conveniently placed in an upright position with the keyboard control section placed separately at the left of the keyboard, The body is enclosed in a rugged case for safe, easy carrying and quick setting up on stage. Now you can thoroughly enjoy sound with revolutionary characteristics. The following functions are all available with easy-to-follow instructions: 1. Two VCO’s for broad heavy sounds . . . Both VCO’s are equipped with pitch, range, wave form, modulation and pulse width controls. 2. Filters for various types of sound production The filters aid in creating a variety of tone colors. The VCF can be used as a low pass, high pass or band pass filter. 3. Stereo panning..... In addition to standard functions, panning is possible with the two channel output. 4. ADSR and AR envelope generators .... The ADSR and AR envelope generators give the sound its final loudness pattern. Both generators have separate trigger switches. 5. Ring Modulator .... The Ring Modulator is for making bell-like effects in addition to providing great depth in tone coloring. 6. Mixer .... The outputs from Noise, VCO-1, VCO-2, Ring Modulator and External Input can be mixed and at the same time the Mixer functions as a terminal to select signal destination. 7. Special sound capability based on other instruments .... An External Input Jack is provided for processing sounds like voices or instruments by connecting with a microphone, electric guitar or an electronic organ. 8. Keyboard controller that performs ideally when improvising .... The keyboard controller section comes equipped with a manual lever-type bender which gives maximum performance freedom while improvising. How to get the most effective use from your Combo-type SH-5 Synthesizer. Like all electronic instruments the Synthesizer should be connected to an auxilliary amplifier. The SH-5 can be connected directly to various other devices. One of the most common accessory devices used with Synthesizers is the Echo Chamber (such as the ROLAND RE-201). Phase Shifters are also commonly used (like the Roland AP-5, for example). Synthesizers like this Combo model can be much more effectively used when used in connection with other devices. CONTENTS SettingUp................................3 Making Connections........................3 Names of Individual Controls.................4 Functions and Uses of Individual Controls.......5 1. Sound Source Settings (VCO-1, VCO-2, Noise Generator, Ring Modulator)......5 2. Sound Source Mixing and Tone Control (Mixer)...........................8 3. Controlling Tone Color (VCF, Band Pass Filter)............................8 4. Sound Volume Setting (VCA) ..........10 5. Control Signal Setting (LFO-1, LFO-2, Sample and Hold, Envelope Generator) . 11 6. Control During Performance (Keyboard Controllers) ..............13 7. Headphone Monitor..................13 SH-5 Sample Sounds.......................14 Specifications............................16 Setting Up • For combo playing, the KS-10 instrument stand should be used (available separately). • When playing an electronic organ and SH-5 at the same time, the setup should be as shown above for the most effective playing. Making Connections • By connecting to a Digital Sequencer (as shown below), automatic performance is possible. • Terminals at Rear Panel Computer (Sequencer) 1 VoCT. Tm KEY VOL. KEY TRIG. 1-1 IN OUT o o 1 1 IN OUT O 0 m By connecting an electronic organ, electric guitar, microphone and/or some other instrument to the Input, it is possible to alter their tone qualities at will. In this case, connect the pedal switch DP-1 (separately available) to the trigger terminal and set the trigger changeover switch of the envelope generator to EXT (External). Set the Input LEVEL changeover switch at "H" for an electronic organ, at "M" for an electric guitar, and at "L" for microphone. *edal Switch DP-1 i i • Electronic organ: H • Electric guitar: M • Microphone: L VCF VCO OUTPUT INPUT n_' ¡OUTPUT OUTPUT INPUT • Foot volume • Foot volume • Foot volume FV-1 FV-1 FV-1 Stereo setting of amps • Foot volume FV-1 External control of the filtering action of the VCF is possible by plugging the OUTPUT of the FV-1 Foot Volume into the VCF jack. Also, the FV-1 Foot Volume can be used to control the pitch of the VCO by plugging into the VCO jack. When connected to two amplifiers, sound transfer is possible with the VCA PANNING (see page 10). In this case foot volume operation is used with the EXPRESSION jacks. When using only one amplifier, control of the sound volume can be made by connecting the foot volume pedal between the amplifier and SH-5 output. The setting of the output LEVEL switch depends on the input sensitivity of the amplifier used. Names of Individual Controls 6. Control during performance Keyboard Con trollers (Page 13) 7. Headphone toring „=*411 Headphone tor Section (Page 13) 5. Control ...