valutazioni - 4, GPA: 4
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Facilità d'uso
Larger values can provide longer diminution times. ATTACK (Attack) [0 to 100] This sets the force of attack when a string is fingered. A larger value results in a sharper rise and a crisper sound. TONI (Tone) [-50 to +50] This sets the tone. A positive value amplifies the volume of the treble range, and a negative value attenuates it. PDL-LEV (Pedal Level) [0 to 100] This sets the compressor output level. When set to 0, no sound is played. LIMIT (Limiter) This suppresses high-level sounds without distortion. THRESH (Threshold) [0 to 100] This sets the volume level at which the limiter effect appears. When a sound greater than the set level is output, its volume is suppressed. RELEASE (Release) [0 to 100] This sets the time that passes before the limiter effect stops after the volume falls below the Threshold level. RATIO (Ratio) [1.5:1, 2.0:1, 4.0:1, 100:1] This selects the compressor ratio, which determines how much suppression is performed for the input sound. TONE (Tone) [-50 to +50] This sets the tone. A positive value amplifies the volume of the treble range, and a negative value attenuates it. PDL-LEV (Pedal Level) [0 to 100] This sets the limiter output level. When set to 0, no sound is played. EQ (Equalizer) “effect pedal................................ m mm 0-|2'° e9 TYPE LO-GRIN PDL.-L.EV Peake. 5 164 LO-TYPE LO-FRES HI-gflIN LO-GAIN [-12 - +12 dB] Boost or cut the low-frequency signal level, in decibel units. LO-FREQ [50 - 1,000 Hz] Specify the center frequency at which the low-frequency signal level will be boosted or cut by the LO-GAIN setting. LO-TYPE [Shelv, Peak0.5, Peak 1.0, Peak2.0] Select the curve with which the signal level will be boosted or cut. Shelv: The signal will be boosted or cut for the entire frequency range below the specified LO-FREQ setting. Peak: The signal will be boosted or cut in the area surrounding the specified LO-FREQ setting. With larger number, the area affected by the equalizer will be narrower. LO-FREQ (50-1,000 Hz) 67 Chapter 6 Chapter 6 Parameter Guide HI-GAIN [-12 - +12 dB] Boost or cut the high-frequency signal level, in decibel units. HI-FREQ [200 - 12,000 Hz] Specify the center frequency at which the high-frequency signal level will be boosted or cut by the HI-GAIN setting. HI-TYPE [Shelv, Peak0.5, Peak 1.0, Peak2.0] Select the curve with which the signal level will be boosted or cut. Shelv: The signal will be boosted or cut for the entire frequency range above the specified HI-FREQ setting. Peak: The signal will be boosted or cut in the area surrounding the specified HI-FREQ setting. With larger number, the area affected by the equalizer will be narrower. PDL-LEV (Pedal level) [0-100] Set the output level of the equalizer. With a setting of 0, there will be no sound. WAH This effect creates characteristic changes in the tonal quality by changing the frequency response of a filter over time. Normally this will function as an auto-wah, so that the wah effect is produced automatically by making the filter change cyclically or in response to the input volume. This also simulates the characteristics of an analog wah where the center frequency causes subtle changes in the Q. If you connect an external expression pedal and set the pedal's Assigned Parameter (p. 94) to [PEDAL] WAH, you can also use this as a pedal wah. "effect pedal m —B1SE1 USER fi|35 TYPE PRESET PDL-L.EV 50 Q4E LPF FRO-MIN FRQ-MRX MOPE PRESET [BOX, CRY, USER] Select the wah preset. Appropriate filter and level settings will automatically be set for the selection that you make here. BOX: A standard wah sound. CRY: A somewhat brighter wah sound than BOX. * When you select a preset, settings will automatically be made for Type, Frequency Maximum, Frequency Minimum, and Q. You may modify these settings as desired. If you modify these settings, the Preset setting will change to "USER." MODE [BPF, LPF] Select the filter mode of the wah. BPF: A band pass filter will be used. This produces a standard wall effect. LPF: A low pass filter will be used. This produces a wah effect with a rich low frequency range. ATK-TIME (Attack time) [0-100] Set the rise time of the filter. As this setting is increased, the filter will rise more slowly. To get the feeling of a manual wah, use fairly high settings. After modifying the Attack Time, you will need to readjust Touch Sensitivity. FREQ-MAX (Frequency maximum) [0-100] Set the upper frequency limit of the filter. For an auto wall, this will be the frequency for a strongly played note. For a pedal wah, this will be the frequency when the external expression pedal is fully depressed. FREQ-MIN (Frequency minimum) [0-100] Set the lower frequency limit of the filter. For an auto wah, this will be the frequency for a softly played note. For a pedal wall, this will be the frequency when the external expression pedal is fully returned. Q[0- 100] Set the width of the frequency range affected by the fi...