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Assign similar tracks to the same groups, and make sure one of each group is represented on the current set of channels (ex., 1 - 8). Then work the four ‘master’ faders and [ON] buttons while the music is playing, and create an arrangement in real time. 01X Owner’s Manual Mixing Tutorial Mixing Tutorial s Scenes are digital “snapshots” of your mixing work. They allow you to save all settings in a mix—including EQ, Dynamics, Effects, Groups, and more—and call them up instantly whenever you need them. There are 99 Scene memory locations for your custom mixes, and if you need more, you can save them to your computer by using the Studio Manager. (See page 9 and Studio Manager PDF manual.) Scenes are a great way to avoid ‘reinventing the wheel.’ Once you’ve got a perfect mix of a certain set of instruments for a certain type of music—ideal compression and EQ for bass and drums, delay and reverb just right on the vocals—save it! The next time you do a song in the same style with the same instruments, simply call up your template and you’re ready to go. You can also use Scenes to create alternate mixes of the same song, listening back to each in turn and choosing the best one. Make your life easier—coordinate the Scenes with your sequencer songs. Here are some tips to get you started. • Make sequencer templates for often-used song styles and instrument combinations and create Scenes to match these templates. • Use MIDI to control the 01X. If you make mixing changes within a song, you can record program change messages in your sequencer tracks and have each Scene change called up automatically as the song plays. (See pages 87, 94.) ¦ Operation q Make all the desired mixer settings. Virtually every setting you make on the mixer can be stored to a Scene. This includes the channel [ON] but tons, the level settings (including the fader positions), EQ, Pan, Aux Send levels, Dynamics, Effects, Group Fader and Mute assignments, Input/Output Patch set tings and channel pairs. (For a detailed list of Scene data, see page 85.) • Remember that Scene data does not include the GAIN knob settings. If you’ve made any changes to these, you will have to reset them manually. For this reason, it may be a good idea to keep notes on those settings—for example, writing them down as clock settings to indicate the dial position (10:00, 12:00, 2:00, etc.). w Press the [SCENE] button to call up the Scene Library. SCENE LIBRARY SCENE No. [ 00] *00 [Initial Data ] _ RECALL/STORE /CLEAR/PROTECT e Select the desired Scene number: 01 - 99. Scene 00 is reserved for resetting the entire console to the default settings, and cannot be overwritten. • If an asterisk (*) is shown to the left of the Scene number, write- protect is enabled and the data cannot be stored to that number. Select a different number, or disable the write-protect by pressing PROTECT (knob 8). r Press STORE (knob 6) to store your settings to the selected Scene number. t Name the Scene. You can give a descriptive, unique name to the Scene, of up to sixteen characters in length. (For instructions on naming, see page 41.) • When recalling Scenes, keep in mind that volume levels may change suddenly as channels are turned on and faders moved. Unless you know exactly what changes are coming, it’s best to turn down the MONITOR OUT control and any connected amplifier/speaker system—to avoid damage to your ears and your equipment! Appendix Reference Getting Basics 01X Owner’s Manual 65 Recording/Playback/Remote Control Recording/Playback/Remote Control Recording/Playback/Remote Control Recording/Playback/Remote Control Before Using Basics Section Getting Started Reference Appendix You’ve seen how the 01X is a full-featured stand-alone mixer and an exceptionally versatile front-end mixer for recording and mixdown with a computer system. In this section, you’ll discover that it’s also a convenient, comprehensive control surface for your audio sequencer or DAW (digital audio workstation). The 01X gives you tape recorder style transport controls, a wealth of buttons for navigating and controlling your song, and most importantly, lets you use the faders, knobs and channel buttons ([SEL] buttons and [ON] buttons) for mixing your sequencer tracks in real time. Full automation — with moving faders — is implemented, and you can even change and automate EQ and effect settings for each track. In short, the 01X provides a completely transparent hardware link with your computer-based music production. Templates are included for most major DAW applications and MIDI/audio sequencers, including Cubase SX/SL, Nuendo, Logic, SONAR, and Digital Performer. Naturally, the Yamaha SQ01 V2 is supported as well. Throughout this section, we’ve used Cubase SX for the examples, but most or all of these control features are available for the other supported sequencers as well. If you’re familiar with the concepts and basic functions covered here, and are aware how they apply to your own particular sequencer, you sho...