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• The rhythm channels of the style can also be started by tapping the [TAP TEMPO] button. With the style stopped, tap the [TAP TEMPO] button three, four or five times (three for 3/4 time, four for 2/4 or 4/4 time, five for 5/4 time). When you simultaneously play back accompaniment styles with a song, the accompaniment parts recorded to the song (channels 9 - 16) are temporarily replaced by the selected accompaniment style — letting you try out and use different accompaniment with the song (page 79). Accompaniment Style Characteristics The defining characteristics of some of the accompaniment styles are indicated above the relevant style names in the Open/Save display. Session! These styles provide even greater realism and authentic backing by mixing in original chord types and changes, as well as special riffs with chord changes, with the Main sections. These have been programmed to add “spice” and a professional touch to your performances of certain songs and in certain genres. As a result, the styles may not necessarily be appropriate — or even harmonically correct — for all songs and for all chord playing. In some cases for example, playing a simple major triad may result in a seventh chord, or playing an on- bass chord may result in incorrect or unexpected accompaniment. Piano Combo! These accompaniment styles feature a basic piano trio (piano, bass, and drums), augmented in some cases with other instruments. Since this is a small combo sound, the accompaniment backing is appropriately sparse, making it useful and effective for a wide variety of songs. Pianist! These special styles provide piano-only accompaniment — effectively recreating the left-hand performance of an accomplished pianist. Just by playing the proper chords with your left hand, you can automatically add complicated arpeggios and bass/chord patterns — such as difficult-to-play stride piano parts. 64 CVP-210/208 Styles Styles y STYLE ACMP AUTO FILLIN OTS LINK BREAK INTRO MAIN ENDING / rit. SYNC.STOP SYNC.START START / STOP A B C D Rhythm starts. 1 Select a style (page 63). The Rhythm channels are part of the styles. Each style has different rhythm pat- terns. Set to off. 3 Play along with the rhythm playback. The Tempo can be adjusted using the TEMPO [ ][ ] or [TAP TEMPO] buttons. If you tap the [TAP TEMPO] button, the tempo will adjust to the same speed that you tapped. 2 When selecting the style group “PIANIST,” the rhythm doesn’t sound. When you want to use any of the styles, always make sure that ACMP is turned on. Press the STYLE [START/STOP] button again to stop the rhythm playback. END You can also start the rhythm simply by playing a key on the keyboard, if Sync Start is enabled (turn on the [SYNC.START] button). Adjusting the Volume Balance/Channel Muting BALANCE PART CHANNEL ON / OFF BALANCE display Adjust the output level of the Part. Parts played from the keyboard (MAIN/LAYER/ LEFT) STYLE par Accompaniment section) MIC part CHANNEL ON/OFF display Call up the STYLE display by pressing the [CHANNEL ON/OFF] button, then turn the instrument you want to cancel off. To listen to only one instrument by itself, hold down the appropriate button for the channel to set the channel to SOLO. To cancel SOLO, simply press the appropriate channel button again. Channel Refers to the MIDI channel in the song data (page 161). The channels are assigned as shown below. Song 1 - 16 Accompaniment Style 9 - 16 Call up the BALANCE display. Call up the Channel ON/ OFF display. CVP-210/208 65 Styles Chord Fingerings Styles Chord Fingerings fingerings as described below. Go to the CHORD FINGERING page (page 142), and select the Chord Fingerings. The page shows how to play chords with your left hand. SINGLE FINGER Single Finger accompaniment makes it simple to produce beautifully orchestrated accompaniment using major, seventh, minor and minor-seventh chords by pressing a minimum number of keys on the auto accompaniment section of the keyboard. The abbreviated chord fingerings described below are used. For a major chord, press the root key only. For a minor chord, simultaneously press the root key and a black key to its left. For a seventh chord, simultaneously press the root For a minor-seventh chord, simultaneously press the key and a white key to its left. root key and both a white and black key to its left. MULTI FINGER The Multi Finger mode automatically detects Single Finger or Fingered chord fingerings, so you can use either type of fingering without having to switch fingering modes. If you want to play minor, seventh, or minor-seventh chords using the SINGLE FINGER operation in the MULTI FINGER Mode, always press the closest white/black key(s) to the root of the chord. FINGERED This mode lets you produce accompaniment by playing full chords on the auto accompaniment section of the keyboard. The Fingered mode recognizes the various chord types listed on the next page. FINGERED ON BASS This mode accepts the same fingerings as the FINGERED mode, but...