valutazioni - 4, GPA: 4.3
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Facilità d'uso
BEFORE USING THIS APPLIANCE, READ BACK COVER FOR FURTHER WARNINGS. Getting Started Before ‘getting started’..... Thank you for purchasing this MCR™ recorder. It is designed to provide the highest standard of recording and reproduction, but bear in mind thatthe standard of performance of the complete equipment will be limited by the weakest link in the chain. Thus the mixer, external amplifiers, effects units, monitor speakers etc., should all receive careful consideration if full advantage is to be taken of the capabilities of this recorder. Connecting Power to the MCR™ 4A or 4S Connect the power plug to a nearby AC power outlet. Do not run audio signal lines close to or parallel with the power cord to prevent hum pick-up. Power can then be applied to the tape recorder by turning on the front panel power switch. Connecting Signal Lines to the MCR™ 4A or 4S There are numerous system set-ups and applications in which the MCR may be used; all of which cannot be covered in this operating instruction sheet. For a guideline, you will find a line drawing below that indicates where various standard pieces of equipment are connected in conjunction with the MCR. Installation: Equipment of this type may be mounted using a variety of different methods such as: free-standing, in a standard 19" rack by means of the optional Rack Mount Kit RM4, united to a Peavey Audio Media Research™ Model 64 mixer by means of End Bell Kit EBK 1, or to a Peavey Audio Media Research™ Model 42 mixer using an End Bell Kit EBK 2. It is advisable to assemble all the parts in a mock-up form before deciding on the final arrangement to make sure that there are no unforseen difficulties of operation or inter-wiring etc. Figure 1 ^ TOOVERDUBBER ................... 1 ^ (IF PURCHASED) ^ TO FOOTSWITCH MCR 4/A OR S 1 ^ (IF PURCHASED) MULTI-TRACK I RECORDER I ^ TO HEADPHONE (IF PURCHASED) 1 SYNCHRONIZATION/ CONTROL INTERFACE (MCR 4/S ONLY) 4 INPUTS (FROM MIXER TO TAPE) 4 OUTPUTS (TO MIXER FROM TAPE) COMPRESSOR/LIMITER MIXING DESK I AMPLIFIERS AND SPEAKERS REVERB LINE INPUTS EQ.f OR OTHER STEREO HEADPHONES LINE LEVEL PERIPHERAL ETC. A block diagram of a typical installation is shown in Fig. 1 and the same basic arrangement will apply in whole or part, whatever associated equipment is used with the MCR series of recorders. Installation is quite straight forward and should present no difficulty. 3 Input and Output Jacks These connect to and from ‘line level’ (-10 dBV) type sources such as will be found on most mixers. All the jacks are standard Vmono (tip and sleeve only) type jacks, and will not work with microphones. Record Ft. Sw. Jack Will work with any standard guitar amplif ier type footswitch (with push-for-on/push-for-off action) that uses a standard Va” mono (tip and sleeve only) type jack. A momentary footswitch may be used if desired, but please bear in mind that this must be held in for the duration of the pundh in. MCR™ 4/S SYNCHRONIZATION CAPABLE MULTITRACK CASSETTE RECORDER fill DOLBY B-CIWI NOISE REDUCTION MANUFACTURED UNDER LICENSE FROM DOLBY LABORATORIES LICENSING CORPORATION. "DOLBY" AND THE DOUBLE-D SYMBOL ARE TRADEMARKS OF DOLBY LABORATORIES LICENSING CORPORATION. WARNING TO PREVENT THE RISK OF FIRE AND SHOCK HAZARD, DO NOT EXPOSE THIS APPLIANCE TO RAIN OR MOISTURE. DO NOT REMOVE FROM CASE. NO USER SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. AVIS: RISQUE DE CHOC ELECTRIQUE - NE PAS OUVRIR. Dolby® Defeat This is the Dolby® defeat switch for track four. It should be' used when MIDI or SMPTE signals are recorded on this track. This switch is recessed to prevent inadvertent; operation, and can only be accessed by using a slim, pointed object. | Remote Jack ; This is for use with the optional Peavey Audio Media i \ Research™ Overdubber™ which will enable you to control 1 record, rewind, pause, and play functions by remote foot i I control. Remote Jack •Momentary closure to 4 8V. Record enabled by 0 volts. Figure 3 +5 VOLTS Power Supply Power input is the attached line cord. For 220/240 volt usej a selector is provided above the power cord strain relief. \ Synchronizer/Controller Port (MCR™ 4/S only) This DB25 socket is for remote transport control and i synchronization purposes when used with a synchronizer/ j controller such as the Peavey Audio Media Research™! SyncController™. It provides for control of recording! motors and/or other events which the recorder mayj control (signals out), or which may control the recorder j (signals in). See Fig. 3 for diagram of this port’s facilities. | A NOTE ABOUT OVERDUBBING: Overdubbing is the process of recording tape tracks while listening to one or more tape tracks that have been previously recorded. Multi-track tape recorders will reproduce previously recorded signals in synchronization (sync) with any track or tracks that you desire to record later. The overdubbing process can happen in two different types ...
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