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Istruzioni per l'uso Yamaha, Modello n12

Produttore : Yamaha
File Size : 5.63 mb
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Lingua di insegnamento: en

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Only NOTE The talkback signal will be sent to the AUX outputs (AUX PHONES jack and AUX OUT jacks). [5.1] switch Only Enables you to monitor the 5.1-ch surround signal input from the DAW. (page 46) [DAW] switch Enables you to monitor the DAW stereo signal (DAW IN 1/2). [ST] switch Enables you to monitor the STEREO bus signal. [AUX] switch Enables you to monitor the AUX bus signal. [2TR] switch Enables you to monitor only the input signal at the 2TR IN jacks. Owner’s Manual 18 Front and Rear Panels Front and Rear Panels n n12 n8 English 4CLICK REMOTE [ON] switch This switch remotely turns on and off the metronome 45213674213675All switches in this section are enabled only when NOTE the n8/n12 is connected to the computer via an IEEE1394 cable and the mixer’s operation is linked to Cubase 4/Cubase Studio 4/Cubase Essential 4/ Cubase AI 4. For more information on the Cubase Link function, please refer to page 33. 1 WORK MODE switches These switches enable you to change the connection status between the n8/n12 and Cubase all at once. The following connection settings (Work modes) can be selected depending on your needs. Pressing each switch changes I/O settings and bus assignments. ST MIX Enables you to monitor on the n8/n12 the stereo signal mixed in the Cubase mixer and output from the DAW. HARDWARE MIX Enables you to output Cubase audio tracks individually to the n8/n12, then mix them on the n8/n12. 5.1 MIX Only Enables you to create a 5.1-ch surround mix in Cubase 4. NOTE For information on operations in each Work mode, please refer to page 36. 2 MONITOR REMOTE [ON] switch This switch turns on and off the Monitor Remote function that enables you to process the input channel and REC bus signals via the VST effects and monitor them. When the switch is turned on (the switch will light up), the input channel [WET] switches (page 15), the MONITOR REMOTE [REC BUS WET] switch (3), and other switches become available. 3 MONITOR REMOTE [REC BUS WET] switch This button determines how to monitor the signals that is being recorded via the REC bus with the Monitor Remote function (page 33). When this switch is on, you can monitor the REC bus signals that have been processed within Cubase by VST effects, etc. NOTE • To use the Monitor Remote function, turn on the MONITOR REMOTE [ON] switch (2) (the switch LED will light up). • To monitor an effect signal that has been processed by the VST effects, you must turn on the Record Enable button for the destination audio track in Cubase. (click sound) in Cubase. If you turn the metronome ON in Cubase, this switch will reflect the setting. 5 [CLICK LEVEL] control This control adjusts the volume level of the Cubase metronome (click sound). Turning the knob clockwise will raise the volume, and turning the knob counter-clockwise will lower the volume. 6 TRACK CONTROL switches These switches remotely control Cubase tracks. Each switch features the following function: [PREV ^] switch Selects the previous track (the track one above in the track list) in Cubase. [NEXT Ў] switch Selects the next track (the track one below in the track list) in Cubase. [REC READY] switch Turns on and off the Record Enable button for the track selected in Cubase. 7 TRANSPORT switches These switches remotely control the transport section in Cubase. Each switch has the following function: [CYCLE] switch Turns Cycle mode on and off. [ ] switch Moves the current position to the previous marker (or the beginning of the project if there is no marker in the backward direction). [ADD] switch Adds a marker at the current position. [ ] switch Moves the current position to the next marker. [ ] switch Rewind [ ] switch Fast forward [¦] switch Stops the project playback. [ ] switch Plays the project. [REC] switch Records the track(s) whose Record Enable button is on Owner’s Manual Front and Rear Panels 20 Owner’s Manual English Rear I/O section 1 ANALOG INPUT jacks (monaural) These monaural channel input jacks are used to connect microphones or musical instruments. Each input channel features two types of jacks (INPUT A and INPUT B). INPUT A jacks These are balanced XLR-type input jacks. INPUT B jacks These are balanced TRS phone-type input jacks that also support unbalanced connections. 2 INSERT I/O jacks These phone-type unbalanced I/O jacks are positioned immediately before the A/D converter. You can connect your effects processor or other devices directly to these input channels. 3 ANALOG INPUT jacks (stereo) These are stereo input jacks that connect line-level instruments, such as a synthesizer. Two jack types are provided: phone type and RCA pin type. Phone type These are unbalanced stereo input jacks. RCA pin type These are unbalanced stereo input jacks. Connect odd channels to the L jacks, and even channels to the R jacks. If you connect only odd channels to the phone-type jacks, the same signals will be fed to the even channels, resulting in monaural inputs. 4 2TR IN jacks Use these unbalanced RCA pin jacks to...

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