If the amplifier is operated in biamp mode, only high-frequency signals will appear at this jack. If the amplifier is operated in full range mode, full range signals will appear at this jack. Signals which appear at this jack may be processed by the chorus circuit. DDT'“ COMPRESSION Each of the two internal power amplifiers is equipped svith Peavey’s DDT'“ Compression (U.S. Patent 4,318,053). The DDT circuits will automatically engage to prevent clipping distortion within the power amplifiers

Safety should always be your first concern. Always use grounded outlets and three-wire extension cords. Run sound system cables in a way to prevent the danger or tripping and tape them down when necessary. Place the speaker stands and mixer on a solid, level surface. Following these guidelines will help prevent personal injury and equipment damage. Setting Up Mixer and Speakers Place the unit so that the speakers are facing upward. Release the latches by lifting up until the latch disengages. Re

1 kHz Effect on/off 1 M ohm 1К ohm Ш(%'phone) AC Power (Miniature Phone) Director Output (M* phone) Detoy/Mix Output (%* phone) 9 V DC Dry Сей Battery (NEDA 1604A/IEC: 6LR61 Peavey AC Adaptor. Part #70900666) Under normal extended playing time use. battery operation of this unit is not recommended. 80mffliamps(MA) Due to our efforts for constant improvements, features and specifications are subject to change without notice. NORMAL OPERATION EFFECTS LOOP OPERATION REGARDING EFFECTS L

No user serviceable parts inside. Refer servicing to qualified service personnel. WARNING: To prevent electrical shock or fire hazard, do not expose this appliance to rain or moisture. Before using this appliance, read the operating guide for further warnings. INTRODUCTION Congratulations! You are now the proud owner of a PEAVEY CYBERBASS™ 5. With this technologically-advanced instrument, you now have access to the world of MIDI. The CYBERBASS 5 translates bass guitar playing into MIDI CODE.

/ :c Y ' , 2-Cî' ^“S r / t-#:* 9 0 10 DRY WET 0 10 0 10 0 10 PRESET SELECT ROCK GUITAR S/tSiVjiL, INPUT LEVEL 4 f 6 3.14/ 7 OUTPUT PARAMETER LEVEL ADJUST 4 r 4 ; 6 e;f=F=ECT , PARAMETER 2 ADJUST i,,,..' -*■>;: -'WN> Jfc. IS1^.2 V r' , 13--r 12'/,. -v\ DRY WET VOCAL CUP ■-vIFÏNAL. _ INPUT g-~’-ut' PARAMETER 1 effect PARAMETER 2 LEVEL MIX LEVEL ADJUST ADJUST -1 5 6 4 7 f. * 5 z. 4 5 6 3.\ „.7 >-p^-8 2--*' •- * 2-^ r ' s " ■ -9 r . ' ■ ' Y T t ^9 0 10 c.v TT 0 10 0 0 10

Failure to routinely clean and lubricate the metal parts of your instrument, including strings, may result in rusting. WARNING: Peavey recommends that you do not use abrasives or solvents on your instrument. Storage & Travel Your bass is a piece of art that must be protected. When you are traveling with your instrument, loosen the tuning knobs a turn or two to take pressure off the neck, and protect it with a gig bag or case. While a gig bag offers some protection, mainly from dust, a hardshell

LEAD CHANNEL RESONANCE CONTROL Adjusts the low-frequency damping factor of the power amplifier, which gives the amp a "tighter" sound when fully dialed counter clockwise and an increasingly "looser" sound when adjusted clockwise. LEAD CHANNEL PRESENCE CONTROL Adjusts the high frequency damping factor of the power amplifier, which gives the amp a "mellow" character when fully counter-clockwise and more of "biting" or forward character when rotated clockwise. RHYTHM CHANNEL RESONANCE CONTROL Adjus

In addition to synthesizing mono and stereo reverberant spaces, from tiny bathrooms to huge cathedrals (and beyond), the Ultraverb II includes a new family of effects—stereo delay, chorus/flange, tapped echoes, dual band parametric equalization, and "exciter.” Several of these are available simultaneously for even greater flexibility. These various combinations of effects are called multieffect algorithms (a typical example is Pre-delay-> Reverb -> Chorus -> Tapped Echo, which can add a great d

Compressors can produce percussive, clicky sounds on clean guitar or mellow sustain for lead work. Try this stompbox effect on a clean channel and strike the strings softly at first and then harder to HEAR and FEEL the effect. Parameter Adjustments: PI Level, P2 Sensitivity. tompbox Encoder Ring Modulator The Ring Modulator combines two waveforms and plays the sum and difference of the frequencies present in each waveform. As you will hear this effect is certainly a little “off the wall,” but

The “out” position defeats the Chorus. NOTE: The Chorus effect must be activated to be controlled via remote footswitch. CHANNEL SELECT SWITCH (5) Allows selection of the Lead or Normal channel. The “in” position of the switch selects the Lead channel and the “out” position selects Normal. NOTE: Channel selection may also be accomplished by the remote footswitch. If the remote selection is desired the channel switch must be in the “in” (Lead) position. LOW, MID, & HIGH EQ (6) Passive tone c